POETRY | MUSIC | ARTWORK
19 January 2020, 6pm
Sutzkever is one of the great poets of the twentieth century. I do not say this lightly. He is not a philosophical poet; there was no sophisticated philosophy in Jewish culture. Nor is he a descriptive poet; the language of Modernism was opposed to description, and the fictional worlds of Sutzkever’s poetry are presented through evocation and allusion rather than direct statement. But the language of his poetry — the profound sound orchestration and the metaphorical and mythopoeic imagery — is as dense, unmediated, and suggestive as that in the poetry of Mandelstam or Rilke. And his responses to historical reality are as sharp as any in the verse of Brecht. The paradoxical amalgam of these two extremes of twentieth-century poetry — self-focused poetic language and ideological engagement — is successful in Sutzkever’s work because both are presented through the events of the poet’s own biography.Benjamin Harshav
Sutzkever: Life and Poetry, Intodruction to A. Sutzkever, Selected Prose and Poetry, Berkeley, Los Angeles, Oxford, 1991, p. 3
On the eve of Avrom Sutzkever’s 10th yortsayt we are commemorating him and his work.
Arndt Beck | Irad Ben Isaak | Horst Bernhardt | Patrick Farrell | Charles Green | Hilde Haberland | Sveta Kundish | Ekaterina Kuznetsova | Elisabeth Landenberger | Timothy McKeon | Anna Rozenfeld
Discussion in German, poetry in Yiddish.